Schiller's position at Stuttgart--Personal appearance--Convivial
pleasures--Visits at Solitude--Revision of 'The Robbers' for
publication--The two prefaces--Reception of 'The Robbers'--A stage-version
prepared for Dalberg--Changes in the stage-version--Popularity of
the play--Medicus and poet--The 'Anthology' of 1782--Character
of Schiller's youthful verse--Various poems considered--The songs
to Laura--Poetic promise of the 'Anthology'--Journalistic
enterprises--Schiller as a critic of himself--Quarrel with Duke
Karl--The Swiss imbroglio--The duke implacable--Flight from Stuttgart.


CHAPTER IV

The Conspiracy of Fiesco at Genoa

General characterization--The historical Fiesco--Influence of
Rousseau--The conflicting authorities--Fact and fiction in the play--Not
really a republican tragedy--Character of Fiesco--Of Verrina--Schiller's
vacillation--Fiesco's inconsistency--Lack of historical lucidity--The
changed conclusion--Weak and strong points--Fiesco and the Moor--The
female characters--Extravagant diction.


CHAPTER V

The Fugitive in Hiding

Reception at Mannheim--An elocutionary failure--'Fiesco' rejected by
Dalberg--Refuge sought in Bauerbach--A new friend--Relations
with outside world--Interest in Lotte von Wolzogen--Literary