By Water to the Columbian Exposition by Johanna S. Wisthaler
page 83 of 125 (66%)
page 83 of 125 (66%)
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The beautiful building next to the Ice Railway environed an excellent
imitation _en miniature_ of the magnificent _Cathedral of St. Peter_ in Rome, its size being one-sixteenth of the original. When viewing this model, the elaborate papal throne, and the Vatican Guards in the exact uniform of the pope's attendants, one might imagine to have been conveyed into _la bella Italia_ by the agency of a magic wand. Promenading more eastward, we found ourselves _vis-a-vis_ the _Moorish Palace_, a fine reproduction of Saracenic architecture, the famous Alhambra in Granada, Spain. The attractions exhibited in the interior of this structure could, indeed, bear a comparison with those offered in a realm of enchantment. The optical illusions, produced by ingeniously arranged mirrors, were a pleasing surprise to the visitor. Luxuriant palms decorating the labyrinthian garden appeared to be endless in number--casting their shade over hundreds of life-like figures in gaudy costumes. Each of these groups in wax, was multiplied again and again in the perspective of mirrors. Entering the palace, the visitor was unable to shake off the feeling of perplexity caused by the extraordinary spectacles to be witnessed within its walls. The most startling surprises were the bottomless well, the cave, the monster kaleidoscope, and the panopticon. A touching scene, produced in wax, represented the execution of the unfortunate Queen Marie Antoinette. So realistic was its effect that many tender-hearted mortals could not refrain from shedding tears of sympathy for the ill-fated consort of Louis XVI of France. A personage of special interest in the _Turkish Village_ was "Far-a-way Moses"--the celebrated guide and counselor of Americans, visiting the shores of the Bosporus--who has been immortalized by Mark Twain. With a |
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