The Poetical Works of Alexander Pope, Volume 1 by Alexander Pope
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satire for ever. He continued, on the contrary, as ill-natured as
before; and although he afterwards flew at higher game, the iron had entered into his soul, and he remained a satirist, and therefore an unhappy man, for life. In 1731 appeared an "Epistle on Taste," which was very favourably received; only his enemies accused him of having satirised the Duke of Chandos in it,--a man who had befriended Pope, and had lent him money. Pope denied the charge, although it is very possible, both from his own temperament, and from the frequent occurrence of similar cases of baseness in literary life, that it may have been true. Nothing is more common than for those who have been most liberally helped, to become first the secret, and then the open, enemies of their benefactors. In 1732 appeared his epistle on "The Use of Riches," addressed to Lord Bathurst. These two epistles were afterwards incorporated in his "Moral Essays." As far back as 1725, Pope had been revolving the subject of the "Essay on Man;" and, indeed, some of its couplets remind you of "pebbles which had long been rolled over and polished in the ocean of his mind." It has been asserted, but not proved, that Lord Bolingbroke gave him the outline of this essay in prose. It is unquestionable, indeed, that Bolingbroke exercised influence over Pope's mind, and may have suggested some of the thoughts in the Essay; but it is not probable that a man like Pope would have set himself on such a subject simply to translate from another's mind. He published the first epistle of the Essay, in 1732, anonymously, as an experiment, and had the satisfaction to see it successful. It was received with rapture, and passed through several editions ere the author was known; although we must say that the value of this reception is considerably lessened, when we remember that the |
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