did. Go ahead, Birdie--make your get-away--you're free."

But Birdie Lee shook his head.

"No," he said, and his voice caught again. "It's no good." He pointed to
the still form on the floor. "I guess I go up for more than
safe-crackin' this time. I--I guess it'll be the _chair_. When they find
him here--dead--shot--they'll call it murder--and they'll put it onto
me. The police know we have been together for years. They know he came
here to-day when I got out. We've been seen together to-day. We--we were
seen _quarrelling_ this afternoon in a saloon over on the Bowery. That
was when I was refusin' to start the old play again. They'd have what
looked like an open and shut game against me. I wouldn't have a hope."

It was a moment before Jimmie Dale answered. What the man said was
true--he would not have a hope--for an honest life--after five years in
the penitentiary. He lifted his flashlight again and played it over
Birdie Lee. They showed, those years, in the pallor, the drawn lines,
the wan misery in the other's face.

And then Jimmie Dale's lips set firmly under his mask. There was a way
to save the man. It was something he had never intended to do again--but
it was worth the price--to save this man. It would be like a bombshell
exploded in the underworld; it would arouse the police to infuriated
activity; it would stir New York to its depths--but, after all, it could
not touch Smarlinghue. It would only instill the belief that somehow
Larry the Bat had escaped from the tenement fire; it would only mean a
hunt for Larry the Bat day and night--but Larry the Bat no longer
existed--and it would save this man.