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Camps, Quarters, and Casual Places by Archibald Forbes
page 18 of 278 (06%)
required to construct a theatre in Burmah. Over a framework of bamboo
poles stretch a number of squares of matting as a protection from the sun.
Lay some more down in the centre as a flooring for the performers. Tie a
few branches round the central bamboo to represent a forest, the perpetual
set-scene of a Burmese drama; and the house is ready. The performers act
and dance in the central square laid with matting. A little space on one
side is reserved as a dressing and green room for the actresses; a similar
space on the other side serves the turn of the actors; and then come the
spectators crowding in on all four sides of the square. It is an orderly
and easily managed audience; it may be added an easily amused audience.
The youngsters are put or put themselves in front and squat down; the
grown people kneel or stand behind. Our "state-box" was merely a raised
platform laid with carpets and cushions, from which as we sat we looked
over the heads of the throng squatting under and in front of us. Of the
drama I cannot say that I carried away with me particularly clear
impressions. True, I only saw a part of it--it was to last till the
following morning; but long before I left the plot to me had become
bewilderingly involved. The opening was a ballet; of that at least I am
certain. There were six lady dancers and six gentlemen ditto. The ladies
were arrayed in splendour, with tinsel tiaras, necklaces, and bracelets,
gauzy jackets and waving scarfs; and with long, light clinging silken
robes, of which there was at least a couple of yards on the "boards" about
their feet. They were old, they were ugly, they leered fiendishly; their
faces were plastered with powder in a ghastly fashion, and their coquetry
behind their fans was the acme of caricature. But my pen halts when I
would describe the gentlemen dancers. I believe that in reality they were
not meant to represent fallen humanity at all; but were intended to
personify _nats,_ the spirits or princes of the air of Burmese mythology.
They carried on their heads pagodas of tinsel and coloured glass that
towered imposingly aloft. They were arrayed in tight-bodiced coats with
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