Camps, Quarters, and Casual Places by Archibald Forbes
page 18 of 278 (06%)
page 18 of 278 (06%)
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required to construct a theatre in Burmah. Over a framework of bamboo
poles stretch a number of squares of matting as a protection from the sun. Lay some more down in the centre as a flooring for the performers. Tie a few branches round the central bamboo to represent a forest, the perpetual set-scene of a Burmese drama; and the house is ready. The performers act and dance in the central square laid with matting. A little space on one side is reserved as a dressing and green room for the actresses; a similar space on the other side serves the turn of the actors; and then come the spectators crowding in on all four sides of the square. It is an orderly and easily managed audience; it may be added an easily amused audience. The youngsters are put or put themselves in front and squat down; the grown people kneel or stand behind. Our "state-box" was merely a raised platform laid with carpets and cushions, from which as we sat we looked over the heads of the throng squatting under and in front of us. Of the drama I cannot say that I carried away with me particularly clear impressions. True, I only saw a part of it--it was to last till the following morning; but long before I left the plot to me had become bewilderingly involved. The opening was a ballet; of that at least I am certain. There were six lady dancers and six gentlemen ditto. The ladies were arrayed in splendour, with tinsel tiaras, necklaces, and bracelets, gauzy jackets and waving scarfs; and with long, light clinging silken robes, of which there was at least a couple of yards on the "boards" about their feet. They were old, they were ugly, they leered fiendishly; their faces were plastered with powder in a ghastly fashion, and their coquetry behind their fans was the acme of caricature. But my pen halts when I would describe the gentlemen dancers. I believe that in reality they were not meant to represent fallen humanity at all; but were intended to personify _nats,_ the spirits or princes of the air of Burmese mythology. They carried on their heads pagodas of tinsel and coloured glass that towered imposingly aloft. They were arrayed in tight-bodiced coats with |
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