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Camps, Quarters, and Casual Places by Archibald Forbes
page 30 of 278 (10%)
centre, and the railing enclosed a sort of recess that looked like a
garden-house. Over a ledge where the gap was, had been thrown a rich
crimson and gold trapping that hung low in front, and on the ledge were a
crimson cushion, a betel box, and a tall oval spittoon in gold set with
pearls. A few minutes passed, beguiled by conversation in a low tone, when
six guards armed with double-barrelled firearms of very diverse patterns,
mounted the platform from the left side and took their places on either
side, squatting down. The guards wore black silk jackets lined with fur
and with scarlet kerchiefs bound round their heads. Then a door opened in
the left side of the garden-house, and there entered first an old gaunt
beardless man--the chief eunuch--closely followed by the King, otherwise
unattended. His Majesty came on with a quick step, and sat down, resting
his right arm on the crimson cushion on the ledge in the centre of the
railing. He wore a white silk jacket, and a _loonghi_ or petticoat robe of
rich yellow and green silk. His only ornaments were his diamond
ear-jewels. As he entered all bent low, and when he had seated himself a
herald lying on his stomach read aloud my credentials. The literal
translation was as follows:--"So-and-so, a great newspaper teacher of the
_Daily News_ of London, tenders to his Most Glorious Excellent Majesty,
Lord of the Ishaddan, King of Elephants, master of many white elephants,
lord of the mines of gold, silver, rubies, amber, and the noble
serpentine, Sovereign of the empires of Thunaparanta and Tampadipa, and
other great empires and countries, and of all the umbrella-wearing chiefs,
the supporter of religion, the Sun-descended Monarch, arbiter of life, and
great, righteous King, King of kings, and possessor of boundless
dominions, and supreme wisdom, the following presents." The reading was
intoned in a uniform high recitative, strongly resembling that used when
our Church Service is intoned; and the long-drawn "Phya-a-a-a-a" (my lord)
which concluded it, added to the resemblance, as it came in exactly like
the "Amen" of the Liturgy.
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