In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" by Matilda Betham-Edwards
page 43 of 211 (20%)
page 43 of 211 (20%)
![]() | ![]() |
|
lodging you pay six francs a day, out of which, judging from the hunger
of the company, the profit arising would be small except to clerical hotel-keepers. We must bear in mind that nuns work without pay, and that all the fish, game, dairy and garden produce the bishop gets for nothing. However, all tourists must be glad of such a hostelry, and the nuns are very obliging. One sister made us some afternoon tea very nicely (we always carry tea and teapot on these excursions), and everybody made us welcome. We found a delightful old Frenchman of Strasburg to conduct us to the Pagan Wall, as, for want of a better name, people designate this famous relic of prehistoric times. Fragments of stone fortifications similarly constructed have been found on other points of the Vosges not far from the promontory on which the convent stands, but none to be compared to this one in colossal proportions and completeness. We dip deep down into the woods on quitting the convent gates, then climb for a little space and come suddenly upon the edge of the plateau, which the wall was evidently raised to defend. Never did a spot more easily lend itself to such rude defence by virtue of natural position, although where the construction begins the summit of the promontory is inaccessible from below. We are skirting dizzy precipices, feathered with light greenery and brightened with flowers, but awful notwithstanding, and in many places the stones have evidently been piled together rather for the sake of symmetry than from a sense of danger. The points thus protected were already impregnable. When we look more nearly we see that however much Nature may have aided these primitive constructors, the wall is mainly due to the agency of man. There is no doubt that in many places the stupendous masses of conglomerate have been hurled to their places by earthquake, but the entire girdle of stone, of pyramidal size and strength, shows much symmetrical arrangement and dexterity. The blocks have been selected according to size and shape, and |
|