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Twilight in Italy by D. H. (David Herbert) Lawrence
page 39 of 206 (18%)
to the ecstasy of sensation, which is the end in itself.

There is the I, always the I. And the mind is submerged, overcome. But
the senses are superbly arrogant. The senses are the absolute, the
god-like. For I can never have another man's senses. These are me, my
senses absolutely me. And all that is can only come to me through my
senses. So that all is me, and is administered unto me. The rest, that
is not me, is nothing, it is something which is nothing. So the Italian,
through centuries, has avoided our Northern purposive industry, because
it has seemed to him a form of nothingness.

It is the spirit of the tiger. The tiger is the supreme manifestation of
the senses made absolute. This is the

Tiger, tiger burning bright,
In the forests of the night

of Blake. It does indeed burn within the darkness. But the
_essential_ fate, of the tiger is cold and white, a white ecstasy.
It is seen in the white eyes of the blazing cat. This is the supremacy
of the flesh, which devours all, and becomes transfigured into a
magnificent brindled flame, a burning bush indeed.

This is one way of transfiguration into the eternal flame, the
transfiguration through ecstasy in the flesh. Like the tiger in the
night, I devour all flesh, I drink all blood, until this fuel blazes up
in me to the consummate fire of the Infinite. In the ecstacy I am
Infinite, I become again the great Whole, I am a flame of the One White
Flame which is the Infinite, the Eternal, the Originator, the Creator,
the Everlasting God. In the sensual ecstasy, having drunk all blood and
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