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The Prisoner of Zenda by Anthony Hope
page 22 of 225 (09%)
and broad moat, which ran all round the old buildings, was a handsome
modern chateau, erected by the last king, and now forming the country
residence of the Duke of Strelsau. The old and the new portions were
connected by a drawbridge, and this indirect mode of access formed the
only passage between the old building and the outer world; but leading
to the modern chateau there was a broad and handsome avenue. It was an
ideal residence: when "Black Michael" desired company, he could dwell in
his chateau; if a fit of misanthropy seized him, he had merely to cross
the bridge and draw it up after him (it ran on rollers), and nothing
short of a regiment and a train of artillery could fetch him out. I went
on my way, glad that poor Black Michael, though he could not have the
throne or the princess, had, at least, as fine a residence as any prince
in Europe.

Soon I entered the forest, and walked on for an hour or more in its cool
sombre shade. The great trees enlaced with one another over my head, and
the sunshine stole through in patches as bright as diamonds, and
hardly bigger. I was enchanted with the place, and, finding a felled
tree-trunk, propped my back against it, and stretching my legs out gave
myself up to undisturbed contemplation of the solemn beauty of the woods
and to the comfort of a good cigar. And when the cigar was finished and
I had (I suppose) inhaled as much beauty as I could, I went off into
the most delightful sleep, regardless of my train to Strelsau and of
the fast-waning afternoon. To remember a train in such a spot would
have been rank sacrilege. Instead of that, I fell to dreaming that I
was married to the Princess Flavia and dwelt in the Castle of Zenda, and
beguiled whole days with my love in the glades of the forest--which made
a very pleasant dream. In fact, I was just impressing a fervent kiss on
the charming lips of the princess, when I heard (and the voice seemed at
first a part of the dream) someone exclaim, in rough strident tones.
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