costume perpetuated in Collignan's full-length portrait of Mademoiselle
de la Valiere. It is, as you know, not only rich, but elegant. Her hair
was powdered, but one could perceive that it was naturally a dark brown.
One pretty little foot appeared, and could anything be more exquisite
than her hand?

It was extremely provoking that this lady wore her mask, and did not, as
many did, hold it for a time in her hand.

I was convinced that she was pretty. Availing myself of the privilege of
a masquerade, a microcosm in which it is impossible, except by voice and
allusion, to distinguish friend from foe, I spoke:

"It is not easy, Mademoiselle, to deceive me," I began.

"So much the better for Monsieur," answered the mask, quietly.

"I mean," I said, determined to tell my fib, "that beauty is a gift
more difficult to conceal than Mademoiselle supposes."

"Yet Monsieur has succeeded very well," she said in the same sweet
and careless tones.

"I see the costume of this, the beautiful Mademoiselle de la Valiere,
upon a form that surpasses her own; I raise my eyes, and I behold a
mask, and yet I recognize the lady; beauty is like that precious stone
in the 'Arabian Nights,' which emits, no matter how concealed, a light
that betrays it."

"I know the story," said the young lady. "The light betrayed it, not in