Tales and Sketches - Part 3, from Volume V., the Works of Whittier: Tales and Sketches by John Greenleaf Whittier
page 47 of 162 (29%)
page 47 of 162 (29%)
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"It would be a weary task, and one which you would no doubt thank me for
declining, to detail the circumstances of a hundred similar visitations, most of which were, in fact, but different combinations of the same illusion. One striking exception I will mention, as it relates to some passages of my early history which you have already heard. "I have never seen Mrs. H since her marriage. Time, and the continued action of opium, deadening the old sensibilities of the heart and awakening new ones, have effected a wonderful change in my feelings towards her. Little as the confession may argue in favor of my early passion, I seldom think of her, save with a feeling very closely allied to indifference. Yet I have often seen her in my spectral illusions, young and beautiful as ever, but always under circumstances which formed a wide contrast between her spectral appearance and all my recollections of the real person. The spectral face, which I often saw looking in upon me, in my study, when the door was ajar, and visible only in the uncertain lamplight, or peering over me in the moonlight solitude of my bed-chamber, when I was just waking from sleep, was uniformly subject to, and expressive of, some terrible hate, or yet more terrible anguish. Its first appearance was startling in the extreme. It was the face of one of the fabled furies: the demon glared in the eye, the nostril was dilated, the pale lip compressed, and the brow bent and darkened; yet above all, and mingled with all, the supremacy of human beauty was manifest, as if the dream of Eastern superstition had been realized, and a fierce and foul spirit had sought out and animated into a fiendish existence some beautiful sleeper of the grave. The other expression of the countenance of the apparition, that of agony, I accounted for on rational principles. Some years ago I saw, and was deeply affected by, a series of paintings representing the tortures of a Jew in the Holy Inquisition; and the expression of pain in the countenance of the victim |
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