Tales and Sketches - Part 3, from Volume V., the Works of Whittier: Tales and Sketches by John Greenleaf Whittier
page 92 of 162 (56%)
page 92 of 162 (56%)
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necessities, ill-gratified desires, and natural yearnings for a better
state, were to vanish before the millennium of mechanism. "It would be," said he, "as ridiculous then to dispute and quarrel about the means of life as it would be now about water to drink by the side of mighty rivers, or about permission to breathe the common air." To his mind the great forces of Nature took the shape of mighty and benignant spirits, sent hitherward to be the servants of man in restoring to him his lost paradise; waiting only for his word of command to apply their giant energies to the task, but as yet struggling blindly and aimlessly, giving ever and anon gentle hints, in the way of earthquake, fire, and flood, that they are weary of idleness, and would fain be set at work. Looking down, as I now do, upon these huge brick workshops, I have thought of poor Etzler, and wondered whether he would admit, were he with me, that his mechanical forces have here found their proper employment of millennium making. Grinding on, each in his iron harness, invisible, yet shaking, by his regulated and repressed power, his huge prison-house from basement to capstone, is it true that the genii of mechanism are really at work here, raising us, by wheel and pulley, steam and waterpower, slowly up that inclined plane from whose top stretches the broad table-land of promise? Many of the streets of Lowell present a lively and neat aspect, and are adorned with handsome public and private buildings; but they lack one pleasant feature of older towns,--broad, spreading shade-trees. One feels disposed to quarrel with the characteristic utilitarianism of the first settlers, which swept so entirely away the green beauty of Nature. For the last few days it has been as hot here as Nebuchadnezzar's furnace or Monsieur Chabert's oven, the sun glaring down from a copper sky upon these naked, treeless streets, in traversing which one is tempted to adopt the language of a warm-weather poet: |
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