Old Portraits, Part 1, from Volume VI., - The Works of Whittier: Old Portraits and Modern Sketches by John Greenleaf Whittier
page 55 of 230 (23%)
page 55 of 230 (23%)
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instances caricatures and distorts, the figures which surround him. To
excuse Cromwell in his usurpation, Henry Vane, one of those exalted and noble characters, upon whose features the lights held by historical friends or foes detect no blemish, is dismissed with a sneer and an utterly unfounded imputation of dishonesty. To reconcile, in some degree, the discrepancy between the declarations of Cromwell, in behalf of freedom of conscience, and that mean and cruel persecution which the Quakers suffered under the Protectorate, the generally harmless fanaticism of a few individuals bearing that name is gravely urged. Nay, the fact that some weak-brained enthusiasts undertook to bring about the millennium, by associating together, cultivating the earth, and "dibbling beans" for the New Jerusalem market, is regarded by our author as the "germ of Quakerism;" and furnishes an occasion for sneering at "my poor friend Dryasdust, lamentably tearing his hair over the intolerance of that old time to Quakerism and such like." The readers of this (with all its faults) powerfully written Biography cannot fail to have been impressed with the intensely graphic description (Part I., vol. ii., pp. 184, 185) of the entry of the poor fanatic, James Nayler, and his forlorn and draggled companions into Bristol. Sadly ludicrous is it; affecting us like the actual sight of tragic insanity enacting its involuntary comedy, and making us smile through our tears. In another portion of the work, a brief account is given of the trial and sentence of Nayler, also in the serio-comic view; and the poor man is dismissed with the simple intimation, that after his punishment he "repented, and confessed himself mad." It was no part of the author's business, we are well aware, to waste time and words upon the history of such a man as Nayler; he was of no importance to him, otherwise than as |
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