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Personal Sketches and Tributes, Part 2, from Volume VI., - The Works of Whittier: Old Portraits and Modern Sketches by John Greenleaf Whittier
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had, in part, eclipsed for them the qualities which made her fame with
the world outside.

"The little house on the quiet by-road overlooked broad green meadows.
The pond behind it, where bloom the lilies whose spotless purity may well
symbolize her gentle spirit, is a sacred pool to her townsfolk. But
perhaps the most fitting similitude of her life in Wayland was the quiet
flow of the river, whose gentle curves make green her meadows, but whose
powerful energy, joining the floods from distant mountains, moves, with
resistless might, the busy shuttles of a hundred mills. She was too
truthful to affect to welcome unwarrantable invaders of her peace, but no
weary traveller on life's hard ways ever applied to her in vain. The
little garden plot before her door was a sacred enclosure, not to be
rudely intruded upon; but the flowers she tended with maternal care were
no selfish possession, for her own enjoyment only, and many are the lives
their sweetness has gladdened forever. So she lived among a singularly
peaceful and intelligent community as one of themselves, industrious,
wise, and happy; with a frugality whose motive of wider benevolence was
in itself a homily and a benediction."

In my last interview with her, our conversation, as had often happened
before, turned upon the great theme of the future life. She spoke, as I
remember, calmly and not uncheerfully, but with the intense earnestness
and reverent curiosity of one who felt already the shadow of the unseen
world resting upon her.

Her death was sudden and quite unexpected. For some months she had been
troubled with a rheumatic affection, but it was by no means regarded as
serious. A friend, who visited her a few days before her departure,
found her in a comfortable condition, apart from lameness. She talked of
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