The Inner Life, Part 3, from Volume VII, - The Works of Whittier: the Conflict with Slavery, Politics - and Reform, the Inner Life and Criticism by John Greenleaf Whittier
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page 23 of 104 (22%)
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by awe and reverence,--a selfish, earthward-looking devotion to the
"least-erected spirit that fell from paradise." I grow weary of seeing man and mechanism reduced to a common level, moved by the same impulse, answering to the same bell-call. A nightmare of materialism broods over all. I long at times to hear a voice crying through the streets like that of one of the old prophets proclaiming the great first truth,--that the Lord alone is God. Yet is there not another side to the picture? High over sounding workshops spires glisten in the sun,--silent fingers pointing heavenward. The workshops themselves are instinct with other and subtler processes than cotton-spinning or carpet-weaving. Each human being who watches beside jack or power loom feels more or less intensely that it is a solemn thing to live. Here are sin and sorrow, yearnings for lost peace, outgushing gratitude of forgiven spirits, hopes and fears, which stretch beyond the horizon of time into eternity. Death is here. The graveyard utters its warning. Over all bends the eternal heaven in its silence and mystery. Nature, even here, is mightier than Art, and God is above all. Underneath the din of labor and the sounds of traffic, a voice, felt rather than beard, reaches the heart, prompting the same fearful questions which stirred the soul of the world's oldest poet,--"If a man die, shall he live again?" "Man giveth up the ghost, and where is he?" Out of the depths of burdened and weary hearts comes up the agonizing inquiry, "What shall I do to be saved?" "Who shall deliver me from the body of this death?" As a matter of course, in a city like this, composed of all classes of our many-sided population, a great variety of religious sects have their representatives in Lowell. The young city is dotted over with "steeple houses," most of them of the Yankee order of architecture. The |
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