from nature, since it may not be always so easy for a serious poet to
meet with the great and the admirable; but life everywhere furnishes an
accurate observer with the ridiculous.

I have hinted this little concerning burlesque, because I have often
heard that name given to performances which have been truly of the comic
kind, from the author's having sometimes admitted it in his diction
only; which, as it is the dress of poetry, doth, like the dress of men,
establish characters (the one of the whole poem, and the other of the
whole man), in vulgar opinion, beyond any of their greater excellences:
but surely, a certain drollery in stile, where characters and sentiments
are perfectly natural, no more constitutes the burlesque, than an empty
pomp and dignity of words, where everything else is mean and low, can
entitle any performance to the appellation of the true sublime.

And I apprehend my Lord Shaftesbury's opinion of mere burlesque agrees
with mine, when he asserts, There is no such thing to be found in the
writings of the ancients. But perhaps I have less abhorrence than he
professes for it; and that, not because I have had some little success
on the stage this way, but rather as it contributes more to exquisite
mirth and laughter than any other; and these are probably more wholesome
physic for the mind, and conduce better to purge away spleen,
melancholy, and ill affections, than is generally imagined. Nay, I will
appeal to common observation, whether the same companies are not found
more full of good-humour and benevolence, after they have been sweetened
for two or three hours with entertainments of this kind, than when
soured by a tragedy or a grave lecture.

But to illustrate all this by another science, in which, perhaps, we
shall see the distinction more clearly and plainly, let us examine the