introductions to _Tom Jones_, described it as "this prodigious work," he
all unintentionally (for he was the least pretentious of men)
anticipated the verdict which posterity almost at once, and with
ever-increasing suffrage of the best judges as time went on, was about
to pass not merely upon this particular book, but upon his whole genius
and his whole production as a novelist. His work in other kinds is of a
very different order of excellence. It is sufficiently interesting at
times in itself; and always more than sufficiently interesting as his;
for which reasons, as well as for the further one that it is
comparatively little known, a considerable selection from it is offered
to the reader in the last two volumes of this edition. Until the present
occasion (which made it necessary that I should acquaint myself with
it) I own that my own knowledge of these miscellaneous writings was by
no means thorough. It is now pretty complete; but the idea which I
previously had of them at first and second hand, though a little
improved, has not very materially altered. Though in all this hack-work
Fielding displayed, partially and at intervals, the same qualities which
he displayed eminently and constantly in the four great books here
given, he was not, as the French idiom expresses it, _dans son
assiette_, in his own natural and impregnable disposition and situation
of character and ability, when he was occupied on it. The novel was for
him that _assiette_; and all his novels are here.

Although Henry Fielding lived in quite modern times, although by family
and connections he was of a higher rank than most men of letters, and
although his genius was at once recognised by his contemporaries so soon
as it displayed itself in its proper sphere, his biography until very
recently was by no means full; and the most recent researches, including
those of Mr Austin Dobson--a critic unsurpassed for combination of
literary faculty and knowledge of the eighteenth century--have not