intended; but the reason why he did not receive the even then far more
usual completion of a public school education by a sojourn at Oxford or
Cambridge may be suspected to be different. It may even have had
something to do with a curious escapade of his about which not very much
is known--an attempt to carry off a pretty heiress of Lyme, named
Sarah Andrew.

Even at Leyden, however, General Fielding seems to have been unable or
unwilling to pay his son's expenses, which must have been far less there
than at an English University; and Henry's return to London in 1728-29
is said to have been due to sheer impecuniosity. When he returned to
England, his father was good enough to make him an allowance of L200
nominal, which appears to have been equivalent to L0 actual. And as
practically nothing is known of him for the next six or seven years,
except the fact of his having worked industriously enough at a large
number of not very good plays of the lighter kind, with a few poems and
miscellanies, it is reasonably enough supposed that he lived by his pen.
The only product of this period which has kept (or indeed which ever
received) competent applause is _Tom Thumb, or the Tragedy of
Tragedies_, a following of course of the _Rehearsal_, but full of humour
and spirit. The most successful of his other dramatic works were the
_Mock Doctor_ and the _Miser_, adaptations of Moliere's famous pieces.
His undoubted connection with the stage, and the fact of the
contemporary existence of a certain Timothy Fielding, helped suggestions
of less dignified occupations as actor, booth-keeper, and so forth; but
these have long been discredited and indeed disproved.

In or about 1735, when Fielding was twenty-eight, we find him in a new,
a more brilliant and agreeable, but even a more transient phase. He had
married (we do not know when or where) Miss Charlotte Cradock, one of