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Buried Cities, Volume 2 - Olympia by Jennie Hall
page 15 of 40 (37%)

So they left the river and passed the gymnasium and the gate. Along this
side the wall cast a wide shadow. Here they walked in silence. Here
there were no tents, no torches, no noisy people. Everything was quiet
in the evening air. The far-off sounds of the fair were a gentle hum. A
hundred pictures were floating in Charmides' mind--Phidias, Zeus, Creon
with the strigil, his own little Hermes, the strange people in the fair,
the marble Apollo under the sculptor's tent. In a few moments they
turned a corner and came out into the soft moonlight. A little beyond
gleamed a broad river, the Alphaeus. Charmides and the slave went over
and strolled along its banks. Here they were again in the crowd and
among tents. They saw a group of people and went toward them. A man
sat on a low knoll a little above the crowd. His hair hung about his
shoulders and his long robe lay in glistening folds about his feet. A
lyre rested on his knees, and he was striking the strings softly. The
sweet notes floated high in the moonlit air. At last he lifted his voice
and sang:

When the swan spreadeth out his wings to alight
On the whirling pools of the foaming stream,
He sendeth to thee, Apollo, a note.
When the sweet-voiced minstrel lifteth his lyre
And stretcheth his hand on the singing string,
He sendeth to thee, Apollo, a prayer.
Even so do I now, a worshiping bard,
With my heart lifted up to begin my lay,
Cry aloud to Apollo, the lord of song.

Then he sang of that lordliest of all minstrels, Orpheus--how the trees
swung circling about to his music; how the savage beasts lay down at his
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