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Buried Cities, Complete - Pompeii, Olympia, Mycenae by Jennie Hall
page 7 of 107 (06%)

[Illustration: Line Art of Bronze Lamp. Caption: _Bronze Lamps_. The
bowl held olive oil. A wick came out at the nozzle. These lamps gave a
dim and smoky light.]




THE GREEK SLATE AND THE LITTLE ROMAN BOY

Ariston, the Greek slave, was busily painting. He stood in a little room
with three smooth walls. The fourth side was open upon a court. A little
fountain splashed there. Above stretched the brilliant sky of Italy. The
August sun shone hotly down. It cut sharp shadows of the columns on the
cement floor. This was the master's room. The artist was painting the
walls. Two were already gay with pictures. They showed the mighty deeds
of warlike Herakles. Here was Herakles strangling the lion, Herakles
killing the hideous hydra, Herakles carrying the wild boar on his
shoulders, Herakles training the mad horses. But now the boy was
painting the best deed of all--Herakles saving Alcestis from death. He
had made the hero big and beautiful. The strong muscles lay smooth in
the great body. One hand trailed the club. On the other arm hung the
famous lion skin. With that hand the god led Alcestis. He turned his
head toward her and smiled. On the ground lay Death, bruised and
bleeding. One batlike black wing hung broken. He scowled after the hero
and the woman. In the sky above him stood Apollo, the lord of life,
looking down. But the picture of the god was only half finished. The
figure was sketched in outline. Ariston was rapidly laying on paint with
his little brushes. His eyes glowed with Apollo's own fire. His lips
were open, and his breath came through them pantingly.
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