wrists as they bound him and threw him under the deck. He saw himself
standing here in the market place of Pompeii. He heard himself sold for
a slave. At that thought he threw down his brush and groaned.

But soon he grew calmer. Perhaps the sweet drip of the fountain cooled
his hot thoughts. Perhaps the soft touch of the sun soothed his heart.
He took up his brushes again and set to work.

"The last figure shall be the most beautiful of all," he said to
himself. "It is my own god, Apollo."

So he worked tenderly on the face. With a few little strokes he made the
mouth smile kindly. He made the blue eyes deep and gentle. He lifted the
golden curls with a little breeze from Olympos. The god's smile cheered
him. The beautiful colors filled his mind. He forgot his sorrows. He
forgot everything but his picture. Minute by minute it grew under his
moving brush. He smiled into the god's eyes.

Meantime a great noise arose in the house. There were cries of fear.
There was running of feet.

"A great cloud!" "Earthquake!" "Fire and hail!" "Smoke from hell!" "The
end of the world!" "Run! Run!"

And men and women, all slaves, ran screaming through the house and out
of the front door. But the painter only half heard the cries. His ears,
his eyes, his thoughts were full of Apollo.

For a little the house was still. Only the fountain and the shadows and
the artist's brush moved there. Then came a great noise as though the