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The Architecture and Landscape Gardening of the Exposition - A Pictorial Survey of the Most Beautiful Achitectural - Compositions of the Panama-Pacific International Exposition by Louis Christian Mullgardt
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either side of the entrance are Corinthian. The long frieze above the
doorway and the figures in the niches on either side are by Mahonri
Young of Salt Lake City.



Palace of Liberal Arts
The Tower of Jewels by Night

Either by day or by night, the Tower of Jewels is the dominating center
of the Exposition, epitomizing not only its entire meaning and message,
but summarizing in detail its architectural development. In the main it
follows the Italian Renaissance, with emphasis upon the Greek and Roman
elements, while in the ornament it employs many Byzantine features.

The Tower is built in seven stages, rising tier on tier, the base a
magnificent Roman arch, with colonnaded courts flanking it on either
side. The Corinthian columns of the colonnades are ochre and on each
side of the archway, they are of Sienna marble. The sculptured figures
by John Flanagan, crowning the columns above the arch, represent in four
successive types the men who made Western America--the adventurer, the
priest, the philosopher, the soldier. They are repeated on each face of
the Tower, the "Armored Horseman" by Tonetti, on the terrace above,
being repeated four times on each side. The forms used in the decorative
sculpture--the eagle, the wreath, the ship's prow, the various emblems
of war--all symbolize victory and achievement.



Palace of Liberal Arts
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