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The Architecture and Landscape Gardening of the Exposition - A Pictorial Survey of the Most Beautiful Achitectural - Compositions of the Panama-Pacific International Exposition by Louis Christian Mullgardt
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Palace of Mines
A Lamp Niche in the Court

The Court of Mines, opening directly across from the main portal of
Machinery Hall, is the entrance to the inner courts from the Avenue of
Progress. The effective massing of the shrubbery is enlivened by the gay
banners and streamers, designed by Jules Guerin, which are one of the
most stimulating decorative features of the Exposition. The walls on
either side are broken by the entrance portals to the buildings, done in
Italian Renaissance style. Their distinctive features are the niches on
either side of the entrances, in which are placed vigorous figures,
designed by Albert Weinert, and the ornamental lamps below. The court is
illuminated at night by concealed light thrown on the walls from
reflectors in the forms of interesting green shells resting on shapely
standards.



Court of Ages
The Tower by Night Illumination

The Court of Ages was designed by Louis Christian Mullgardt of San
Francisco. Of all the Exposition courts it is the most original and
imaginative in conception, the most complete in its organic, structural
unity, the richest in ornament, in poetic suggestion, in the depth and
dramatic appeal of its symbolism.

The Court suggests many architectural periods and types, yet eludes
classification under any one of them. The Gothic clearly predominates,
with traces of English, Spanish, and Portuguese elements. With further
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