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Domnei - A Comedy of Woman-Worship by James Branch Cabell
page 6 of 152 (03%)
fragrant beauty, with delectable hair lying gold on white samite worked
in borders of blue petals. It chose not abstractions for its faith, but
the most desirable of all actual--yes, worldly--incentives: the sister,
it might be, of Count Emmerick of Poictesme. And, approaching beatitude
not so much through a symbol of agony as by the fragile grace of a
woman, raising Melicent to the stars, it fused, more completely than in
any other aspiration, the spirit and the flesh.

However, in its contact, its lovers' delight, it was no more than a
slow clasping and unclasping of the hands; the spirit and flesh,
merged, became spiritual; the height of stars was not a figment....
Here, since the conception of _domnei_ has so utterly vanished, the
break between the ages impassable, the sympathy born of understanding
is interrupted. Hardly a woman, to-day, would value a sigh the passion
which turned a man steadfastly away that he might be with her forever
beyond the parched forest of death. Now such emotion is held strictly
to the gains, the accountability, of life's immediate span; women have
left their cloudy magnificence for a footing on earth; but--at least in
warm graceful youth--their dreams are still of a Perion de la Foret.
These, clear-eyed, they disavow; yet their secret desire, the most
Elysian of all hopes, to burn at once with the body and the soul, mocks
what they find.

That vision, dominating Mr. Cabell's pages, the record of his revealed
idealism, brings specially to _Domnei_ a beauty finely escaping the
dusty confusion of any present. It is a book laid in a purity, a
serenity, of space above the vapors, the bigotry and engendered spite,
of dogma and creed. True to yesterday, it will be faithful of
to-morrow; for, in the evolution of humanity, not necessarily the turn
of a wheel upward, certain qualities have remained at the center,
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