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Delia Blanchflower by Mrs. Humphry Ward
page 105 of 440 (23%)
their degree, as the pictures of the great English artists, Hogarth,
Reynolds, Romney, with which they were contemporary. There were earlier
houses too, of brick and timber, with overhanging top stories and
moss-grown roofs. There was a green surrounded with post and rails, on
which a veritable stocks still survived, kept in careful repair as a
memento of our barbarous forbears, by the parish Council. The church,
dating from that wonderful fourteenth century when all the world must
have gone mad for church-building, stood back from the main street,
with the rectory beside it, in a modest seclusion of their own.

It was all very English, very spick and span, and apparently very well
to do. That the youth of the village was steadily leaving it for the
Colonies, that the constant marrying in and in which had gone on for
generations had produced an ugly crop of mental deficiency, and
physical deformity among the inhabitants--that the standard of morals
was too low, and the standard of drink too high--were matters well
known to the Rector and the Doctor. But there were no insanitary
cottages, and no obvious scandals of any sort. The Maumsey estate had
always been well managed; there were a good many small gentlefolk who
lived in the Georgian houses, and owing to the competition of the
railways, agricultural wages were rather better than elsewhere.

About a mile from the eastern end of the village was the small
modernised manor-house of Bridge End, which belonged to Mark
Winnington, and where his sister Alice, Mrs. Matheson, kept him company
for the greater part of the year. The gates leading to Maumsey lay a
little west of the village, while on the hill to the north rose,
conspicuous against its background of wood, the famous old house of
Monk Lawrence. It looked down upon Maumsey on the one hand and Bridge
End on the other. It was generally believed that the owner of it, Sir
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