witty, well-known caricature; and if 'The Vision of Judgment' by Southey
was laughed into oblivion by Byron's poem with the same title, it was
because Southey's original was neither good nor great. Philip's poem,
too, is the first of the kind; and surely we should be thankful to the
author of the earliest effort in a style which has created so much
innocent amusement. Dr Johnson speaks as if the pleasure arising from
such productions implied a malignant 'momentary triumph over that
grandeur which had hitherto held its captives in admiration.' We think,
on the contrary, that it springs from our deep interest in the original
production, making us alive to the strange resemblance the caricature
bears to it. It is our love that provokes our laughter, and hence the
admirers of the parodied poem are more delighted than its enemies. At
all events, it is by 'The Splendid Shilling' alone--and that principally
from its connexion with Milton's great work--that Philips is memorable.
His 'Cider' has soured with age, and the loud echo of his Blenheim
battle-piece has long since died away.


THE SPLENDID SHILLING.

"... Sing, heavenly Muse!
Things unattempted yet, in prose or rhyme,"
A Shilling, Breeches, and Chimeras dire.

Happy the man who, void of cares and strife,
In silken or in leathern purse retains
A Splendid Shilling: he nor hears with pain
New oysters cried, nor sighs for cheerful ale;
But with his friends, when nightly mists arise,
To Juniper's Magpie or Town-Hall[1] repairs: