The Old Gray Homestead by Frances Parkinson Keyes
page 8 of 237 (03%)
page 8 of 237 (03%)
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shiftlessness and incompetence that come partly from natural bent and
partly from hopelessness; while Sally and Thomas alone possessed the sunny disposition and the ability to see the bright side of everything and the good in everybody which was their mother's legacy to them. The old house, set well back from the main road and near the river, with elms and maples and clumps of lilac bushes about it, was almost bare of the cheerful white paint that had once adorned it, and the green blinds were faded and broken; the barns never had been painted, and were huddled close to the house, hiding its fine Colonial lines, black, ungainly, and half fallen to pieces; all kinds of farm implements, rusty from age and neglect, were scattered about, and two dogs and several cats lay on the kitchen porch amidst the general litter of milk-pails, half-broken chairs, and rush mats. There was no one in sight as the two muddy buggies pulled up at the little-used front door. Howard Gray and Thomas were milking, both somewhat out-of-sorts because of the non-appearance of Austin, for there were too many cows for them to manage alone--a long row of dirty, lean animals of uncertain age and breed. Molly was helping her mother to "get supper," and the red tablecloth and heavy white china, never removed from the kitchen table except to be washed, were beginning to be heaped with pickles, doughnuts, pie, and cake, and there were potatoes and pork frying on the stove. Katherine was studying, and Edith had gone to hastily "spread up" the beds that had not been made that morning. On the whole, however, the inside of the house was more tidy than the outside, and the girl in black was aware of the homely comfort and good cheer of the living-room into which she was ushered (since there was no time to open up the cold "parlor") more than she was of its shabbiness. |
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