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The Old Gray Homestead by Frances Parkinson Keyes
page 8 of 237 (03%)
shiftlessness and incompetence that come partly from natural bent and
partly from hopelessness; while Sally and Thomas alone possessed the
sunny disposition and the ability to see the bright side of everything
and the good in everybody which was their mother's legacy to them.

The old house, set well back from the main road and near the river, with
elms and maples and clumps of lilac bushes about it, was almost bare of
the cheerful white paint that had once adorned it, and the green blinds
were faded and broken; the barns never had been painted, and were
huddled close to the house, hiding its fine Colonial lines, black,
ungainly, and half fallen to pieces; all kinds of farm implements, rusty
from age and neglect, were scattered about, and two dogs and several
cats lay on the kitchen porch amidst the general litter of milk-pails,
half-broken chairs, and rush mats. There was no one in sight as the two
muddy buggies pulled up at the little-used front door. Howard Gray and
Thomas were milking, both somewhat out-of-sorts because of the
non-appearance of Austin, for there were too many cows for them to
manage alone--a long row of dirty, lean animals of uncertain age and
breed. Molly was helping her mother to "get supper," and the red
tablecloth and heavy white china, never removed from the kitchen table
except to be washed, were beginning to be heaped with pickles,
doughnuts, pie, and cake, and there were potatoes and pork frying on the
stove. Katherine was studying, and Edith had gone to hastily "spread up"
the beds that had not been made that morning.

On the whole, however, the inside of the house was more tidy than the
outside, and the girl in black was aware of the homely comfort and good
cheer of the living-room into which she was ushered (since there was no
time to open up the cold "parlor") more than she was of its shabbiness.

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