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Leila or, the Siege of Granada, Book I. by Baron Edward Bulwer Lytton Lytton
page 8 of 37 (21%)
uttered these words, too philosophical for a king whose crown sate so
loosely on his brow.

After a few moments of thought that appeared to dissatisfy and disquiet
him, Boabdil again turned impatiently round "My soul wants the bath of
music," said he; "these journeys into a pathless realm have wearied it,
and the streams of sound supple and relax the travailed pilgrim."

He clapped his hands, and from one of the arcades a boy, hitherto
invisible, started into sight; at a slight and scarce perceptible sign
from the king the boy again vanished, and in a few moments afterwards,
glancing through the fairy pillars, and by the glittering waterfalls,
came the small and twinkling feet of the maids of Araby. As, with their
transparent tunics and white arms, they gleamed, without an echo, through
that cool and voluptuous chamber, they might well have seemed the Peris
of the eastern magic, summoned to beguile the sated leisure of a youthful
Solomon. With them came a maiden of more exquisite beauty, though
smaller stature, than the rest, bearing the light Moorish lute; and a
faint and languid smile broke over the beautiful face of Boabdil, as his
eyes rested upon her graceful form and the dark yet glowing lustre of her
oriental countenance. She alone approached the king, timidly kissed his
hand, and then, joining her comrades, commenced the following song, to
the air and very words of which the feet of the dancing-girls kept time,
while with the chorus rang the silver bells of the musical instrument
which each of the dancers carried.

AMINE'S SONG.

I.
Softly, oh, softly glide,
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