form around him, breaking the order by his single charge, and from time
to time bringing to the dust some champion of the troop by the noiseless
and scarce-seen edge of his fatal cimiter.

Villena, in despair alike of fame and life, and gnawed with grief for his
brother's loss, at length resolved to put the last hope of the battle on
his single arm. He gave the signal for retreat; and to protect his
troop, remained himself, alone and motionless, on his horse, like a
statue of iron. Though not of large frame, he was esteemed the best
swordsman, next only to Hernando del Pulgar and Gonsalvo de Cordova, in
the army; practised alike in the heavy assault of the Christian warfare,
and the rapid and dexterous exercise of the Moorish cavalry. There he
remained, alone and grim--a lion at bay--while his troops slowly
retreated down the Vega, and their trumpets sounded loud signals of
distress, and demands for succour, to such of their companions as might
be within bearing. Villena's armour defied the shafts of the Moors; and
as one after one darted towards him, with whirling cimiter and momentary
assault, few escaped with impunity from an eye equally quick and a weapon
more than equally formidable. Suddenly, a cloud of dust swept towards
him; and Muza, a moment before at the further end of the field, came
glittering through that cloud, with his white robe waving and his right
arm bare. Villena recognised him, set his teeth hard, and putting spurs
to his charger, met the rush. Muza swerved aside, just as the heavy
falchion swung over his head, and by a back stroke of his own cimiter,
shore through the cuirass just above the hip-joint, and the blood
followed the blade. The brave cavaliers saw the danger of their chief;
three of their number darted forward, and came in time to separate the
combatants.

Muza stayed not to encounter the new reinforcement; but speeding across