works of art was for the first time given an official sanction, and the
public edifices of Rome were by no means the sole beneficiaries of this
new interpretation of the rights of war. Much of the valuable plunder
had found its way into private houses,[51] to stimulate the envious
cupidity of many a future governor who, cursed with the taste of a
collector and unblessed by the opportunity of a war, would make subtle
raids on the artistic treasures of his province a secret article of his
administration. When the ruling classes of a nation have been
familiarised for the larger part of a century with the easy acquisition
of the best material treasures of the world, things that have once
seemed luxuries come to fill an easy place in the category of accepted
wants. But the sudden supply has stopped; the market value, which
plunder has destroyed or lessened, has risen to its normal level;
another burden has been added to life, there is one further stimulus to
wealth and, so pressing is the social need, that the means to its
satisfaction are not likely to be too diligently scrutinised before they
are adopted.

More pardonable were the tastes that were associated with the more
purely intellectual elements in Hellenic culture--with the influence
which the Greek rhetor or philosopher exercised in his converse with the
stern but receptive minds of Rome, the love of books, the new lessons
which were to be taught as to the rhythmic flow of language and the
rhythmic movement of the limbs. The Greek adventurer was one of the most
striking features of the epoch which immediately followed the close of
the great wars. Later thinkers, generally of the resentfully national,
academic and pseudo-historical type, who repudiated the amenities of
life which they continued to enjoy, and cherished the pleasing fiction
of the exemplary _mores_ of the ancient times, could see little in him
but a source of unmixed evil;[52] and indeed the Oriental Greek of the