principal contributor--Johnson--did not join its staff till the next
year. Its old numbers will even still repay perusal--at least we
seldom enjoyed a greater treat than when in our boyhood we lighted
on and read some twenty of its brown-hued, stout-backed,
strong-bound volumes, filled with the debates in the Senate of
Lilliput--with Johnson's early Lives and Essays--with mediocre
poetry--interesting scraps of meteorological and scientific
information--ghost stories and fairy tales--alternating with timid
politics, and with sarcasms at the great, veiled under initials,
asterisks, and innuendoes; and even now many, we believe, feel it
quite a luxury to recur from the personalities and floridities of
modern periodicals to its quiet, cool, sober, and sensible pages. To
it Akenside contributed afterwards a fable, called "Ambition and
Content," a "Hymn to Science," and a few more poetical pieces
(written not, as commonly said, in Edinburgh, but in Newcastle, in
1739). It has been asserted that he composed his "Pleasures of
Imagination" while visiting some relations at Morpeth, when only
seventeen years of age; but although he himself assures us that he
spent many happy and inspired hours in that region,

"Led
In silence by some powerful hand unseen,"

there is no direct evidence that he then fixed his vague, tumultuous,
youthful impressions in verse. Indeed, the texture and style of the
"Pleasures" forbid the thought that it was a hasty improvisation.
When nearly eighteen years old, Akenside was sent to Edinburgh, to
commence his studies for the pulpit, and received some pecuniary
assistance from the Dissenters' Society. One winter, however, served
to disgust him with the prospects of the profession--which he