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Peter Ibbetson by George Du Maurier
page 185 of 341 (54%)
Soon I discovered by practice that I was able for a second or two to be
more than a mere spectator--to be an actor once more; to turn myself
(Ibbetson) into my old self (Gogo), and thus be touched and caressed by
those I had so loved. My mother kissed me and I felt it; just as long as
I could hold my breath I could walk hand in hand with Madame Seraskier,
or feel Mimsey's small weight on my back and her arms round my neck for
four or five yards as I walked, before blurring the dream; and the blur
would soon pass away, if it did not wake me, and I was Peter Ibbetson
once more, walking and sitting among them, hearing them talk and laugh,
watching them at their meals, in their walks; listening to my father's
songs, my mother's sweet playing, and always unseen and unheeded by
them. Moreover, I soon learned to touch things without sensibly blurring
the dream. I would cull a rose, and stick it in my buttonhole, and
there it remained--but lo! the very rose I had just culled was still on
the rose-bush also! I would pick up a stone and throw it at the wall,
where it disappeared without a sound--and the very same stone still lay
at my feet, however often I might pick it up and throw it!

[Illustration]

No waking joy in the world can give, can equal in intensity, these
complex joys I had when asleep; waking joys seem so slight, so vague in
comparison--so much escapes the senses through lack of concentration and
undivided attention--the waking perceptions are so blunt.

It was a life within a life--an intenser life--in which the fresh
perceptions of childhood combined with the magic of dream-land, and in
which there was but one unsatisfied longing; but its name was Lion.

It was the passionate longing to meet the Duchess of Towers once more in
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