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Peter Ibbetson by George Du Maurier
page 255 of 341 (74%)
How often have we summoned Liszt to play to us on his own favorite
piano, which adorned our own favorite sitting-room! How little he knew
(or will ever know now, alas!) what exquisite delight he gave us!

Oh, Pattit, Angelina! Oh, Santley and Sims Reeves! Oh, De Soria,
nightingale of the drawing-room, I wonder you have a note left!

And you, Ristori, and you, Salvini, et vous, divine Sarah, qui debutiez
alors! On me dit que votre adorable voix a perdu un peu de sa premiere
fraicheur. Cela ne m'etonne pas! Bien sur, nous y sommes pour
quelque chose!

* * * * *

And then the picture-galleries, the museums, the botanical and
zoological gardens of all countries--"Magna sed Apta" had space for them
all, even to the Elgin Marbles room of the British Museum, which I
added myself.

What enchanted hours have we spent among the pictures and statues of the
world, weeding them here and there, perhaps, or hanging them
differently, or placing them in what we thought a better light! The
"Venus of Milo" showed to far greater advantage in "Magna sed Apta" than
at the Louvre.

And when busied thus delightfully at home, and to enhance the delight,
we made it shocking bad weather outside; it rained cats and dogs, or
else the north wind piped, and snow fell on the desolate gardens of
"Magna sed Apta," and whitened the landscape as far as eye could see.

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