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The Beautiful and Damned by F. Scott (Francis Scott) Fitzgerald
page 6 of 533 (01%)

Now Adam J. Patch, more familiarly known as "Cross Patch," left his
father's farm in Tarrytown early in sixty-one to join a New York cavalry
regiment. He came home from the war a major, charged into Wall Street,
and amid much fuss, fume, applause, and ill will he gathered to himself
some seventy-five million dollars.

This occupied his energies until he was fifty-seven years old. It was
then that he determined, after a severe attack of sclerosis, to
consecrate the remainder of his life to the moral regeneration of the
world. He became a reformer among reformers. Emulating the magnificent
efforts of Anthony Comstock, after whom his grandson was named, he
levelled a varied assortment of uppercuts and body-blows at liquor,
literature, vice, art, patent medicines, and Sunday theatres. His mind,
under the influence of that insidious mildew which eventually forms on
all but the few, gave itself up furiously to every indignation of the
age. From an armchair in the office of his Tarrytown estate he directed
against the enormous hypothetical enemy, unrighteousness, a campaign
which went on through fifteen years, during which he displayed himself a
rabid monomaniac, an unqualified nuisance, and an intolerable bore. The
year in which this story opens found him wearying; his campaign had
grown desultory; 1861 was creeping up slowly on 1895; his thoughts ran a
great deal on the Civil War, somewhat on his dead wife and son, almost
infinitesimally on his grandson Anthony.

Early in his career Adam Patch had married an anemic lady of thirty,
Alicia Withers, who brought him one hundred thousand dollars and an
impeccable entre into the banking circles of New York. Immediately and
rather spunkily she had borne him a son and, as if completely
devitalized by the magnificence of this performance, she had thenceforth
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