The Court of the Empress Josephine by baron Arthur Léon Imbert de Saint-Amand
page 30 of 244 (12%)
page 30 of 244 (12%)
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after the fatigues of his long journey. The next evening some singers had
been summoned to the Empress's apartment, but Pius VII. withdrew just as the concert was about to begin. In the course of the day Josephine had had a private interview with the Pope, and had confided to him the secret which so distressed her. She who was reigning over the greatest of Catholic nations, the consort of the successor of the very Christian Kings, the wife of a ruler about to be crowned by the Pope, was married only by civil rite! She entreated Pius VII. to use all his influence with Napoleon to put an end to a situation which was a continual torture and reproach to her as a wife and as a Christian. The Pope appeared touched by the confidence of his dear daughter, as he always called the Empress, and promised to demand, and, if necessary, to insist, upon the celebration of the Emperor's religious marriage, as a condition of the coronation, and this promise filled Josephine with joy. The presence of the Pope and the Emperor, the throng of prelates, generals, courtiers, and beautiful women, the combination of religious and Imperial pomp gave to the Castle of the Valois, a few days before dilapidated and abandoned, new splendor and magnificence. Never in the most brilliant days of the reign of Francis I., or Henri II., or of Louis XIV., had this sumptuous residence appeared in greater state. This wonderful palace is renowned for its superb and picturesque architecture, its majestic facades, its five courts: that of the White Horse, of the Fountain, of the Dungeon, of the Princes, of Henri IV. The Festival Hall is very beautiful, with its rich and abundant ornamentation, its walnut floor, divided into octagonal panels richly outlined with inlaid gold and silver, its monumental mantelpiece, with its figures, emblems, and fantastic frescoes, the brilliant masterpieces of Primaticcio, and of |
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