"The following morning the great discovery was made. The Van Sneck I have
alluded to was an artist, a dealer, a man of the shadiest reputation,
whom my patron, Lord Littimer, had picked up. It was Van Sneck who
produced the copy of 'The Crimson Blind.' Not only did he produce the
copy, but he produced the history from some recently discovered papers
relating to the Keizerskroon Tavern of the year 1656, which would have
satisfied a more exacting man than Littimer. In the end the Viscount
purchased the engraving for L800 English.

"You can imagine how delighted he was with his prize--he had secured an
engraving by Rembrandt that was absolutely unique. Under more favourable
circumstances I should have shared that pleasure. But I was face to face
with ruin, and therefore I had but small heart for rejoicing.

"I came down the next morning after a sleepless night, and with a wild
endeavour to scheme some way of getting the money to pay my creditor. To
my absolute amazement I found a polite note from the lieutenant coldly
thanking me for the notes I had sent him by messenger, and handing me a
formal receipt for L800. At first I regarded it as a hoax. But, with all
his queer ways, Von Gulden was a gentleman. Somebody had paid the debt
for me. And somebody had, though I have never found out to this day."

"All the same, you have your suspicions?" Steel suggested.

"I have a very strong suspicion, but I have never been able to verify it.
All the same, you can imagine what an enormous weight it was off my mind,
and how comparatively cheerful I was as I crossed over to the hotel of
Lord Littimer after breakfast. I found him literally beside himself with
passion. Some thief had got into his room in the night and stolen his