"Write," Enid whispered. "Say, 'See nothing and notice nothing, I implore
you. Only agree with everything that Dr. Walker says, and leave the room
as quickly as possible!' Now sign your name. We can go into the
drawing-room and wait till Dr. Bell comes down. You are merely a friend
of his. I will see that he has this paper at once."

Enid led the way into the drawing-room. She gave no reasons for the
weird strangeness of the place, it was no time for explanations. As for
Steel, he gazed around him in fascinated astonishment. A novelist ever
on the look-out for new scenes and backgrounds, the aspect of the room
fascinated him. He saw the dust rising in clouds, he saw the wilted
flowers, he noted the overturned table, obviously untouched and
neglected for years, and he wondered. Then he heard the babel of
discordant voices overhead. What a sad house it was, and how dominant
was the note of tragedy.

Meanwhile, with no suspicion of the path he was treading, Bell had gone
upstairs. He came at length to the door of the room where the sick girl
lay. There was a subdued light inside and the faint suggestion of illness
that clings to the chamber of the sufferer. Bell caught a glimpse of a
white figure lying motionless in bed. It was years now since he had acted
thus in a professional capacity, but the old quietness and caution came
back by instinct. As he would have entered Margaret Henson came out and
closed the door.

"You are not going in there," she said. "No, no. Everything of mine
you touch you blight and wither. If the girl is to die, let her die
in peace."

She would have raised her voice high, but a lightning glance from Bell