one equal to that."

"And you never will," Bell replied, "save in one instance. The picture
itself was painted in Rembrandt's modest lodging in the Keizerskroon
Tavern after the forced sale of his paintings at that hostel in the year
1658. At that time Rembrandt was painfully poor, as his recorded tavern
bills show. The same bills also disclose the fact that 'The Crimson
Blind' was painted for a private customer with a condition that the
subject should be engraved as well. After one impression had been taken
off the plate the picture was destroyed by a careless servant. In a
sudden fit of rage Rembrandt destroyed the plate, having, they say, only
taken one impression from it."

"Then there is only one of these engravings in the world? What a find!"

"There is one other, as I know to my cost," Bell said, significantly.
"Until a few days ago I never entertained the idea that there were two.
Steel, you are the victim of a vile conspiracy, but it is nothing to the
conspiracy which has darkened my life."

"Sooner or later I always felt that I should get to the bottom of the
mystery, and now I am certain of it. And, strange as it may seem, I
verily believe that you and I are hunting the same man down--that the one
man is at the bottom of the two evils. But you shall hear my story
presently. What we have to find out now is who was the last tenant and
who is the present owner of the house, and incidentally learn who this
lumber belongs to. Ah, this has been a great day for me!"

Bell spoke exultingly, a great light shining in his eyes. And David
sapiently asked no further questions for the present. All that he wanted