"I do, son; I do! Even Mannie should have his share of good-by."

To Gina Berg: "They want me to play that little arrangement of mine from
Allan Seegar's poem. 'I Have a Rendezvous....'"

"It--it's beautiful, Leon. I was to have sung it on my program
to-night--only, I'm afraid you had better not--here--now--"

"Please, Leon! Nothing you play can ever make me as sad as it makes me
glad. Mannie should have, too, his good-by."

"All right, then, ma, if--if you're sure you want it. Will you sing it,
Gina?"

She had risen. "Why, yes, Leon."

She sang it then, quite purely, her hands clasped simply together and
her glance mistily off, the beautiful, the heroic, the lyrical prophecy
of a soldier-poet and a poet-soldier:

"But I've a rendezvous with Death
On some scarred slope of battered hill,
When spring comes round again this year
And the first meadow-flowers appear."

In the silence that followed, a sob burst out, stifled, from Esther
Kantor, this time her mother holding her in arms that were strong.

"That, Leon, is the most beautiful of all your compositions. What does