the house as beings endowed with life and character; she had held
conversations with some, and, with a careless exterior not warranted by
an inner dread, avoided others in gloomy dusks. All this, now, she
contemptuously discarded. Chairs were--chairs, things to sit on, wood and
stuffed cushions.

Yet she was slightly melancholy at losing such a satisfactory lot of
reliable familiars: unlike older people, victims of the most
disconcerting moods and mysterious changes, chairs could always be
counted on to remain secure in their individual peculiarities.

She could see by her fireplace the elaborately carved teakwood chair
that her grandfather had brought home from China, which had never varied
from the state of a brown and rather benevolent dragon; its claws were
always claws, the grinning fretted mouth was perpetually fixed for a
cloud of smoke and a mild rumble of complaint. The severe waxed hickory
beyond with the broad arm for writing, a source of special pride, had
been an accommodating and precise old gentleman. The spindling gold
chairs in the drawingroom were supercilious creatures at a king's ball;
the graceful impressive formality of the Heppelwhites in the dining room
belonged to the loveliest of Boston ladies. Those with difficult
haircloth seats in the parlor were deacons; others in the breakfast room
talkative and unpretentious; while the deep easy-chair before the library
fire was a ship. There were mahogany stools, dwarfs of dark tricks; angry
high-backed things in the hall below; and a terrifying shape of gleaming
red that, without question, stirred hatefully and reached out curved and
dripping hands.

Anyhow, such they had all seemed. But lately she had felt a growing
secrecy about it, an increasing dread of being laughed at; and now,