Russian fiction represents its people in the same way.
Unaggressive characters, who talk and think but do not act,
fill its novels; they dream of the great age of the "Universal
Idea" that shall come for all and regenerate the "rotten west,"
where "rationalism is the original sin"; the typical west that
Slavophilism condemns--the west of the struggles between the
rulers and the ruled; between Scripture and tradition and the
upper and lower classes. The Slavophile idea, in theory at
least, leaves no room for this. Christian love and humility and
peasant communes, where rationalism, strife and rebellion are
unknown, must be instituted in the west; then the "Universal
Idea" of Russia will create Millennial times. This was the
"Messianic hope of Slavophilism," and perhaps is yet to a great
degree destined in the minds of its devotees to give the last
feature to the development of the world, so that the love and
feeling of the east would appease the discord of the west,
diluting its discipline and its logic with true religious
intuition and humility, and eventually the idealized
relationship of autocracy for the Czar and self-government for
the people--the old system so rudely strained by Peter the
Great--would permeate the ruled and rulers of the world.

Here then is Slavophilism! And pacific Russia--the heart and
soul of her, claiming this to be the true ethical and spiritual
ideal for her people, and censoring her upper class, with its
foreign culture, materialism, and infidelity, as being the only
real traitor to this saving morality of the ancient regime.

Among the prominent advocates of this philosophy might be