The Book of Delight and Other Papers by Israel Abrahams
page 74 of 221 (33%)
page 74 of 221 (33%)
![]() | ![]() |
|
the change is not all for the better. The evil consists in this, that
whereas of old a book, being handwritten, was clearly recognized as the work of some one's hand, it now assumes, being printed, an impersonal importance, which may be beyond its deserts. Especially is this the case with what we may term religious authorities; we are now apt to forget that behind the authority there stands simply--the author. It is instructive to contrast the customary method of citing two great codifiers of Jewish law--Maimonides and Joseph Caro. Caro lived in the age of printing, and the _Shulchan Aruch_ was the first great Jewish book composed after the printing-press was in operation. The result has been, that the _Shulchan Aruch_ has become an impersonal authority, rarely cited by the author's name, while the _Mishneh Torah_ is mostly referred to as the Rambam, _i.e._ Maimonides. For all that, printing has been a gain, even from the point of view at which I have just arrived. Not only has it demolished the barrier which the scribe's personality interposed between author and reader, but, by increasing the number of readers, it has added to the solace of each. For the solace of books is never selfish--the book-miser is never the book-lover, nor does the mere collector of rarities and preciosities deserve that name, for the one hoards, but does not own; the other serves Mammon, not God. The modern cheapening of books--the immediate result of printing--not only extends culture, it intensifies culture. Your joy in a book is truest when the book is cheapest, when you know that it is, or might be, in the hands of thousands of others, who go with you in the throng towards the same divine joy. These sentiments are clearly those of a Philistine. The fate of that last word, by the way, is curious. The Philistines, Mr. Macalistcr discovered when excavating Gezer, were the only artistic people in Palestine! Using |
|