Euphrates as its centre. It shows also the mountains as the source of
the river, the land of Assyria, Bit-Iakinu, and the swamps at the
mouth of the Euphrates. [No. 92,687.]]



THE OBJECT OF THE BABYLONIAN LEGEND OF THE CREATION.

A perusal of the texts of the Seven Tablets of Creation, which King
was enabled, through the information contained in them, to arrange for
the first time in their proper sequence, shows that the main object of
the Legend was the glorification of the god Marduk, the son of Ea
(Enki), as the conqueror of the dragon Tiamat, and not the narration
of the story of the creation of the heavens, and earth and man. The
Creation properly speaking, is only mentioned as an exploit of Marduk
in the Sixth Tablet, and the Seventh Tablet is devoted wholly to the
enumeration of the honorific titles of Marduk. It is probable that
every great city in Babylonia, whilst accepting the general form of
the Creation Legend, made the greatest of its local gods the hero of
it. It has long been surmised that the prominence of Marduk in the
Legend was due to the political importance of the city of Babylon. And
we now know from the fragments of tablets which have been excavated in
recent years by German Assyriologists at Kal'at Sharkat (or Shargat,
or Shar'at), that in the city of Ashur, the god Ashur, the national
god of Assyria, actually occupied in texts[1] of the Legend in use
there the position which Marduk held in four of the Legends current in
Babylonia. There is reason for thinking that the original hero of the
Legend was Enlil (Bel), the great god of Nippur (the Nafar, or Nufar
of the Arab writers), and that when Babylon rose into power under the
First Dynasty (about B.C. 2300), his position in the Legend was