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A Chair on the Boulevard by Leonard Merrick
page 136 of 330 (41%)

It was precisely half-past eleven when the three conspirators arrived
at the doors of the Comedie Moderne, and lingered near by until the
audience poured forth. Labaregue was among the first to appear. He
paused on the steps to take a cigarette, and stepped briskly into the
noise and glitter of the Boulevard. The young men followed, exchanging
feverish glances. Soon the glow of the Cafe de l'Europe was visible.
The critic entered, made a sign to a waiter, and seated himself gravely
at a table.

Many persons gazed at him with interest. To those who did not know,
habitues whispered, "There is Labaregue--see, he comes to write his
criticism on the revival of _La Curieuse_!" Labaregue affected
unconsciousness of all this, but secretly he lapped it up. Occasionally
he passed his hand across his brow with a gesture profoundly
intellectual.

Few there remarked that at brief intervals three shabby young men
strolled in, who betrayed no knowledge of one another, and merely
called for bocks. None suspected that these humble customers plotted to
consign the celebrity's criticism to the flames.

Without a sign of recognition, taciturn and impassive, the three young
men waited, their eyes bent upon the critic's movements.

By-and-by Labaregue thrust his "copy" into an envelope that was
provided. Some moments afterwards one of the young men asked another
waiter for the materials to write a letter. The paper he crumpled in
his pocket; in the envelope he placed the forged critique.

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