A Chair on the Boulevard by Leonard Merrick
page 136 of 330 (41%)
page 136 of 330 (41%)
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It was precisely half-past eleven when the three conspirators arrived at the doors of the Comedie Moderne, and lingered near by until the audience poured forth. Labaregue was among the first to appear. He paused on the steps to take a cigarette, and stepped briskly into the noise and glitter of the Boulevard. The young men followed, exchanging feverish glances. Soon the glow of the Cafe de l'Europe was visible. The critic entered, made a sign to a waiter, and seated himself gravely at a table. Many persons gazed at him with interest. To those who did not know, habitues whispered, "There is Labaregue--see, he comes to write his criticism on the revival of _La Curieuse_!" Labaregue affected unconsciousness of all this, but secretly he lapped it up. Occasionally he passed his hand across his brow with a gesture profoundly intellectual. Few there remarked that at brief intervals three shabby young men strolled in, who betrayed no knowledge of one another, and merely called for bocks. None suspected that these humble customers plotted to consign the celebrity's criticism to the flames. Without a sign of recognition, taciturn and impassive, the three young men waited, their eyes bent upon the critic's movements. By-and-by Labaregue thrust his "copy" into an envelope that was provided. Some moments afterwards one of the young men asked another waiter for the materials to write a letter. The paper he crumpled in his pocket; in the envelope he placed the forged critique. |
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