A Chair on the Boulevard by Leonard Merrick
page 5 of 330 (01%)
page 5 of 330 (01%)
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All of Mr. Merrick's sermons--I do not hesitate to call his novels
"sermons," because no decent novel can be anything else--all his sermons, I say, point to this conclusion: that people who go out deliberately to look for happiness, to kick for it, and fight for it, or who try to buy it with money, will miss happiness; this being a state of heart--a mere outgrowth, more often to be found by a careless and self-forgetful vagrant than by the deliberate and self-conscious seeker. A cheerful doctrine this. Not only cheerful, but self-evidently true. How right it is, and how cheerful it is, to think that while philosophers and clergymen strut about this world looking out, and smelling out, for its prime experiences, more careless and less celebrated men are continually finding such things, without effort, without care, in irregular and unconsecrated places. In novel after novel, Mr. Merrick has preached the same good-humoured, cheerful doctrine: the doctrine of anti-fat. He asks us to believe--he _makes_ us believe--that a man (or woman) is not merely virtuous, but merely sane, who exchanges the fats of fulfilment for the little lean pleasures of honourable hope and high endeavour. Oh wise, oh witty Mr. Merrick! Mr. Merrick has not, to my knowledge, written one novel in which his hero is represented as having achieved complacency. Mr. Merrick's heroes all undergo the very human experience of "hitting a snag." They are none of them represented as _enjoying_ this experience; but none of them whimper and none of them "rat." If anybody could prove to me that Mr. Merrick had ever invented a hero who submitted tamely to tame success, to fat prosperity; or who had stepped, were it ever so lightly, into the dirty morass of accepted |
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