A Chair on the Boulevard by Leonard Merrick
page 70 of 330 (21%)
page 70 of 330 (21%)
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"What an extraordinary coincidence! Ah, that is the last bond between us! You can realise my most complex moods, you can penetrate to the most distant suburbs of my soul! Gustave, if I had been free to choose my career, I should have become a famous man." "My poor Adolphe! Still, prosperity is not an unmixed evil. You must seek compensation in your wealth," murmured the poet, who began to think that one might pay too high a price for a bed. "Oh--er--to be sure!" said the little clerk, reminded that he was pledged to a larger outlay than he had originally proposed. "That is to say, I am not precisely 'wealthy.'" He saw his pocket-money during the trip much curtailed, and rather wished that his impulse had been less expansive. "A snug income is no stigma, whether one derives it from Parnassus or the Bourse," continued Tricotrin. "Hold! Who is that I see, slouching over there? As I live, it's Pitou, the composer, whose dilemma I told you of!" "Another?" quavered the clerk, dismayed. "He, Nicolas! Turn your symphonic gaze this way! 'Tis I, Gustave!" "Ah, mon vieux!" exclaimed the young musician joyfully; "I was wondering what your fate might be. I have only just come from the house. Madame Dubois refused me admission; she informed me that you had been firing Spanish novels at Gouge's head. Why Spanish? Is the Spanish variety deadlier? So the villain has had the effrontery to turn us out?" |
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