Malbone: an Oldport Romance by Thomas Wentworth Higginson
page 7 of 186 (03%)
page 7 of 186 (03%)
|
it. There is a kind of beauty that seems made to be painted on
ivory, and such was hers. Only the microscopic pencil of a miniature-painter could portray those slender eyebrows, that arched caressingly over the beautiful eyes,--or the silky hair of darkest chestnut that crept in a wavy line along the temples, as if longing to meet the brows,--or those unequalled lashes! "Unnecessarily long," Aunt Jane afterwards pronounced them; while Kate had to admit that they did indeed give Emilia an overdressed look at breakfast, and that she ought to have a less showy set to match her morning costume. But what was most irresistible about Emilia,--that which we all noticed in this interview, and which haunted us all thenceforward,--was a certain wild, entangled look she wore, as of some untamed out-door thing, and a kind of pathetic lost sweetness in her voice, which made her at once and forever a heroine of romance with the children. Yet she scarcely seemed to heed their existence, and only submitted to the kisses of Hope and Kate as if that were a part of the price of coming home, and she must pay it. Had she been alone, there might have been an awkward pause; for if you expect a cousin, and there alights a butterfly of the tropics, what hospitality can you offer? But no sense of embarrassment ever came near Malbone, especially with the children to swarm over him and claim him for their own. Moreover, little Helen got in the first remark in the way of serious conversation. "Let me tell him something!" said the child. "Philip! that |
|