Journal of an Expedition into the Interior of Tropical Australia by Thomas Mitchell
page 138 of 402 (34%)
page 138 of 402 (34%)
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perceived woody ridges on all sides, but all apparently sloping from the
south-west; and a misty valley beyond the nearest of them in the northeast, like the line of the Balonne. But the most interesting sight to me then, was that of blue pics at a great distance to the north-west, the object of all my dreams of discovery for years. No white man had before seen these. There we might hope to find the DIVISA AQUARUM, still undiscovered; the pass to Carpentaria, still unexplored: I called this hill Mount First View, and descended, delighted with what I had seen from its rocky crest. The sides were covered with Malga scrub. The rock was felspathic, apparently allied to those already seen in the Balonne. Lat. 27° 2' 57" S. Thermometer, at sunrise, 45°; at 4 P. M., 68°; at 9 P. M., 45°;--with wet bulb, 43°. 4TH MAY.--An Australian morning is always charming,--amid these scenes of primaeval nature it seemed exquisitely so. The BARITA? or GYMNORHINA, the organ-magpie, was here represented by a much smaller bird, whose notes, resembling the softest breathings of a flute, were the only sounds that met the ear. What the stillness of even adds to such sounds in other climes, is felt more intensely in the stillness of morning in this. "The rapture of repose that's there" gratifies every sense; the perfume of the shrubs, of those even that have recently been burnt, and the tints and tones of the landscape, accord with the soft sounds. The light red tints of the ANTHISTIRIA, the brilliant green of the MIMOSA, the white stems of the EUCALYPTUS, and the deep grey shadows of early morning, still slumbering about the woods, are blended and contrasted in the most pleasing harmony. The forms in the soft landscape are equally fine, from the wild fantastic tufting of the Eucalyptus, and its delicate willow- like ever-drooping leaf, to the prostrate trunks of ancient trees, the mighty ruins of the vegetable world. Instead of autumnal tints, there is a perpetual blending of the richest hues of autumn with the most |
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