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THE PLAYS AND SHOWS.

BATHOS and pathos are closely allied in sound as well as in sense. Mr.
FECHTER evidently regards them as completely identical; and in his
acting, as in his pronunciation, uniformly prefers the former to the
latter. He has recently exemplified this by his personation of CLAUDE
MELNOTTE, in that most tawdry specimen of the cotton-velvet drama, the
LADY OF LYONS. This melancholy event took place a few nights since at
the French Theatre, that mausoleum of the illegitimate French drama.
Miss CARLOTTA LECLERCQ, an actress who deserves the highest praise, and
who would receive it were it not that a doubt as to the proper
pronunciation of her name prevents the bashful critic from mentioning
her when flushed with the generous enthusiasm of beer, played PAULINE,
and a number of Uncertain People played the dickens with the rest of the