1. Asides and soliloquies.

As it is often important for the audience to know the thoughts of stage
characters, the aside and the soliloquy in all species of dramatic
composition have always been recognized as the only feasible conventional
mode of conveying them. According to the strictest canons of dramatic art,
the ideally constructed play should be entirely free from this weakness.
Mr. Gillette is credited with having written in "Secret Service" the first
aside-less play. But this is abnormal and rather an affectation of
technical skill. The aside is an accepted convention. But in the plays of
Plautus we

have a profuse riot of solo speeches and passages that transcends the
conventional and becomes a gross weakness of composition, pointing plainly
to a poverty of technique and hence further strengthening the conception
of entertainment as the author's sole purpose. And often too, as we shall
point out, this very form can be used for amusement. To attempt a complete
collection of these passages would mean a citation of hundreds of lines,
comprising a formidable percentage of all the verses.

And furthermore, the Plautine character is not so tame and spiritless as
merely to think aloud. He has a fondness for actual conversation with
himself that shows a noble regard for the value of his own society. This
is attested by many passages, such as _Amph._ 381: Etiam muttis?; _Aul._
52: At ut scelesta sola secum murmurat; _Aul._ 190: Quid tu solus tecum
loquere?; _Bac._ 773: Quis loquitur prope?; _Cap._ 133: Quis hic
loquitur?[134]